Press kit
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brandoncolemanguitar@gmail.com · Cincinnati / Northern Kentucky
Available to performing arts centers, festivals, jazz series and presenters. Get in touch with the date and the room.
Seven-piece · guitar, violin, cello, piano, bass, drums, percussion
His own standing ensemble, with Grammy-winning violinist Zach Brock and cellist Michael G. Ronstadt. Long-form original composition written for the group as an ensemble rather than a rhythm section with guests. Played Memorial Hall, Cincinnati, in January 2026.
Trio or quartet · guitar, bass, drums, and keys as a quartet
The band under his own name: over ten years of shared language with Matt Wiles and Jeff Mellott, documented across six records including the live album THE WATCHERS.
Solo guitar upward
For rooms and budgets that will not take the full ensemble. Say what the room is and what it seats.
Use whichever length fits. Please use the full name: BrandonScott Coleman.
Brandon Scott Coleman is a guitarist, composer, arranger, and producer based in Northern Kentucky. He performs with Ben Sollee, Barnweaver, and Spherical Agenda, and is guitar soloist for the Cincinnati Chamber Orchestra's 2026 Zappa program. He writes arrangements and orchestrations, and produces, mixes, and masters records.
Brandon Scott Coleman is a guitarist, composer, arranger, and producer based in Northern Kentucky, from eastern Kentucky originally. In August 2026 he is guitar soloist for the Cincinnati Chamber Orchestra's Summermusik program of Zappa's orchestral works, including Revised Music for Guitar and Low-Budget Orchestra and G-Spot Tornado, alongside Mozart's "Haffner" symphony.
He performs and records with Emmy Award-winning cellist Ben Sollee, with the Cincinnati alt-Americana band Barnweaver, and with the jazz-fusion group Spherical Agenda. He is featured across the discography of producer Jason Grimes' Doctor Bionic. He played John Adams' El Niño under the composer's baton at the Cincinnati May Festival, and the world premiere of William Menefield's Fierce at Cincinnati Opera.
His orchestral arrangements have been performed by the Louisville Orchestra. He produces, mixes, and masters records, and teaches at Northern Kentucky University.
Brandon Scott Coleman is a guitarist, composer, arranger, and producer based in Northern Kentucky. Raised in eastern Kentucky, he is a specialized guitarist whose range runs from folk and roots music to hypercomplex notated music, and the span itself is the point.
In August 2026 he is guitar soloist for Summermusik's Musical Renegades program with the Cincinnati Chamber Orchestra, playing Zappa's Revised Music for Guitar and Low-Budget Orchestra and G-Spot Tornado on a bill with Mozart's "Haffner" symphony. He has also performed Juan Trigos' opera Ella-Miau. Both demand the same rhythmic density and the same reading ability, and both are, in his words, challenging for most guitarists.
His orchestral and new-music credits include John Adams' El Niño conducted by the composer at the Cincinnati May Festival in May 2022, and the world premiere of William Menefield's Fierce at Cincinnati Opera in July 2022. He appears on the Cincinnati Pops Orchestra's JOY! (Live from Music Hall). He has performed and recorded with the Cincinnati Symphony Orchestra, Cincinnati Opera, Cincinnati Contemporary Jazz Orchestra, concert:nova, and the Kentucky Symphony Orchestra.
He performs, records, and writes with Emmy Award-winning cellist Ben Sollee, appearing on Long Haul (2024) and Time on Hold (2026); his orchestral arrangements have been performed by the Louisville Orchestra. He plays guitar in the Cincinnati alt-Americana band Barnweaver, whose self-titled debut was mixed by Grammy-nominated engineer Duane Lundy and covered by Louisville Public Media. He co-leads the jazz-fusion group Spherical Agenda, and leads his own trio and quartet with bassist Matt Wiles and drummer Jeff Mellott: a decade-long partnership documented across Decisions, Infinite Loop, Aquatic, The Watchmaker, Phobos, and the live record THE WATCHERS. Textura wrote that he "plays with a fluidity and intelligence that suggests a long and satisfying career lies ahead."
He is featured across the discography of Doctor Bionic, the instrumental hip-hop project of Cincinnati producer Jason Grimes, on Chiefdom and Colemine Records. His session guitar has appeared on television and film soundtracks including DC's Legends of Tomorrow, and on programming from ABC to Netflix.
He has played Smalls, The Kennedy Center, the Blue Wisp Jazz Club, Bop Stop, 55 Bar, Club Bonafide, and Cliff Bell's, and appeared at the Loja Jazz Festival in Ecuador, the CBGB Festival in New York, and the Columbus Jazz & Rib Fest. He has given masterclasses in Honduras, Ecuador, and across the United States.
He produces, mixes, and masters records for other artists, and teaches at Northern Kentucky University.
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He plays with a fluidity and intelligence that suggests a long and satisfying career lies ahead.
Coleman certainly distinguishes himself as a player and composer of considerable ability.
There's something for everyone—every jazz fan, that is—on this fine sophomore outing.
Colorful compositions that toe the line between precision and spontaneity.
...is one of the best musicians I’ve worked with. He’s been central to Afrochine projects for over a decade , playing multiple instruments on stage and handling production, arranging, and writing for both live shows and broadcast television. Brandon is fluent in both analog and digital, and he actually knows why every note is where it is. Add a bluegrass sensibility that shows up in everything he touches, and you’ve got a rare collaborator. Intelligent, creative, and a joy to build with!
Not only is Brandon an incredible guitarist and musician, he is also very tech savvy and easy to work with. He has a unique ability to gently guide any artist to help get the music from their head onto the record, because he listens to understand with the end result in mind. Brandon knows every step to take from idea to finished piece, from demo to a mixed and mastered album. Be it arrangements, orchestration, performance or any part of the the recording process, Brandon Scott Coleman is a one-stop turnkey solution.
I've had the privilege of working with Brandon as a bandmate and collaborator in many different musical contexts. He has also engineered and produced one of my albums. Along with being an incredible musician, he's one of the most knowledgeable guys I know with all things having to do with technology. On top of all of that, he's just an all around genuine dude and will do anything to help you out, especially if it means serving the music and trying to create the best art possible.
If I have a question about any part of the creative process in music, I ask Brandon Coleman. From writing to recording, mixing and mastering, composing and arranging, road-dogging and performing, he's done it all at a high level.
If you want someone who's dependable, talented, flexible and beyond gifted to handle a music project of any sort, Brandon Coleman is your guy. From composing and playing to mixing and mastering, he does it all and in a great spirit of collaboration. He's mastered 12 CDs and 17 LPs of a benefit project for me, and he did a beautiful job.
I’ve worked with Brandon across a few different parts of the recording process, and he really covers the full spectrum—mixing, mastering, composition, and everything in between. He’s got a great ear for dialing in a mix and bringing a track across the finish line, but he’s also quick to troubleshoot gear or fix whatever’s getting in the way. On top of that, he’s just a fun person to have in the room—funny, fast on his feet, and genuinely dedicated to getting things right and making the music better.
Not to be confused with Brandon Coleman the Los Angeles keyboardist (Kamasi Washington, Brainfeeder), or Brandon Coleman of The Red Clay Strays. All three of us are working musicians who happen to share a name.